body art history channel schedule tvg

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The seller is away until Apr 30, 2023. Add this item to your watchlist to keep track of it. The seller is away until Apr 30, 2023. Add this item to your watchlist to keep track of it.

Very Good: A book that does not look new and has been read but is in excellent condition. No obvious ... Read moreabout the condition Very Good: A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab

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Great & Excellent Seller Item was exactly as advertised. Fast shipping and very well packed ,excellent communication from seller. Would buy from them again.

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Refer to Return policyopens in a new tab or window for more details. You are covered by the Money Back Guaranteeopens in a new tab or window if you receive an item that is not as described in the listing.

Great & Excellent Seller Item was exactly as advertised. Fast shipping and very well packed ,excellent communication from seller. Would buy from them again.

Sling Tv Channels: A Full List Of Packages In 2023

* Estimated delivery dates - opens in a new window or tab include seller's handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment. Delivery times may vary, especially during peak periods. Notes - Delivery *Estimated delivery dates include seller's handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment. Delivery times may vary, especially during peak periods.

Refer to Return policyopens in a new tab or window for more details. You are covered by the Money Back Guaranteeopens in a new tab or window if you receive an item that is not as described in the listing.

Great & Excellent Seller Item was exactly as advertised. Fast shipping and very well packed ,excellent communication from seller. Would buy from them again.

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body art neto 3000 pdf manual

body art neto 3000 pdf manual

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Detecting Biothreat Agents: From Current Diagnostics To Developing Sensor Technologies

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julia body arthur miller's crossing

julia body arthur miller's crossing

In 1977, when distinguished film director Fred Zinnemann (born Jewish in the Hapsburg Empire, educated in Vienna, working in Berlin before Hitler came to power) directed “Julia, ” a melodrama celebrating Lillian Hellman carrying money hidden in her hat to Nazi Berlin to her childhood friend and ca. 1934 part of the resistance to Hitler inside Germany. “Julia, ” the story was presented (and widely) taken as nonfiction. Hellman’s disingenuous self-glorification (in the 1976

Ivities Committee in 1952 (in a way that Arthur Miller had, but she had not). Her 1973 memoir in which the yarn appeared, Pentimento, had not been publicly challenged.

A Tissue Of Lies Can Still Be Suspenseful: Julia 1977 - Julia Body Arthur Miller S Crossing

On a Dick Cavett Show appearance in 1979, Mary McCarthy said of Hellman: “Every word she writes is a lie, including ‘and’ and ‘the’.” Although obviously hyperbolic, McCarthy and Cavett and the PBS station where the broadcast was recorded were sued for defamation. That Hellman had significantly misrepresented her HUAC appearance and had never even met the model for Julia (Muriel Gardiner) came out, though the case was not dismissed because the judge did not think Hellman was a public figure after decades of public stances, four purported memoirs, and had appeared in a Blackglama fur advertising campaign with the tagline “What becomes a Legend most?” and no (need for) identification of the model (poseur). Considerable doubt was cast on the veracity of Hellman’s account of her relationship with Dashiell Hammett (author of  “The Maltese Falcon” and “The Thin Man”), too.

The Body In The Basement

In 1984, Samuel McCracken reported “that the funeral home in London where Hellman said Julia’s body was sent to did not exist, there was no record that Hellman had sailed to England to claim Julia’s body on the ship she said she had made the transatlantic crossing on, and there was no evidence that Julia had lived or died. Furthermore, McCracken found it highly unlikely, as did Gardiner, who had worked with the anti-fascist underground, that so many people would have been used to help Hellman get money to Julia, or that money would be couriered in the way that Hellman said it did.”

Seeing the movie again knowing that insofar as the story has any connection to historical realities, they are purloined from Gardiner (whose memoir had been in the hands of Wolf Schwabacher, who was also Hellman’s lawyer) detracts from being swept up in admiration for the heroism of Julia, and the reflected glory of Lillian’s expedition, but the journey to Nazi Berlin is, with “Day of the Jackal” (1973) and, indeed, “A Man for All Seasons” (1966), an example of Fred Zinnemann’s ability to generate suspense in viewers who know the outcome is. Dick Sargent won an Oscar for best adapted screenplay and Walter Murch was nominated for his editing.

I find the adolescence flashbacks to Lillian’s admiration of Julia harder to swallow than the suspense movie. They are mawkish and also involve inflation, in this instance making Lillian’s bosom best buddy an English aristocrat, though Hellman grew up in America (New Orleans and New York City). To paraphrase McCarthy, there is much false in every aspect of Helmman’s portrait of “Julia.”

Crossing Program By American Repertory Theater

The young Julia and young Lillian were played partly by Vanessa Redgrave and Jane Fonda (respectively), partly by Lisa Pelikan and Susan Jones. Redgrave won her best supporting actress Oscar primarily for the Berlin restaurant scene in which she receives the money and asks Lillian to care for her infant daughter if something happens to Julia. (The daughter, of course, is another Hellman fantasy, along with the death of the Anglophone in Berlin resistance figure.)

There was a campaign against awarding an Oscar to Redgrave because of her support for a Palestinian state. I think that Redgrave should have won an Oscar later for her performance in “Howard’s End, ” but question her win for “Julia” for reasons other than her politics. The competition, however, was not intense; Jason Robards’ Dashiell Hammett won in a stronger field (including Maximilian Schell in “Julia”) for best supporting actor. (Sargent also had weak competition.)

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The 40-year-old Fonda and Redgrave (both were born in 1937) playing scenes as a youth in their early 20s requires willful suspension of disbelief. But I also find Fonda as a frustrated writer difficult to believe (though throwing her typewriter out the window is something I remembered form seeing the movie on its original release). Moreover, Fonda was far too beautiful to be credible as Hellman of any age. (As Annie Hall, Diane Keaton won the best actress Oscar for which Fonda was nominated.)

See 100 Years Of History, Captured By Globe And Mail Photographers

I think that “Julia” was/is overrated, though Zinnemann’s mastery is underrated. (He only made one more film after “Julia, ” “Five Days One Summer” (1982), which I have not seen.) BTW, it was a question about overrated writers that stimulated Mary McCarthy’s slam of Hellman. IMHO, the problems with “Julia” are in the source material, which was not known in 1977 and might not have been  known late had Hellmann not sued.

Zinnemann’s previous movie, “Day of the Jackal” was based on a novel based on a real assassination plot and is great fun.News photographs stop time. It’s their most profound accomplishment. They freeze a moment of the present so that the moment can be examined more closely in the future. An archive like this – a century, as of this month, of photographs taken by Globe and Mail staff photographers – thereby becomes a succession of stopped moments. If you string them together and look at them long enough, patterns start to emerge.

See 100 Years Of History, Captured By Globe And Mail Photographers - Julia Body Arthur Miller S Crossing

There are a lot of pictures of crowds in this selection, which has been culled from the millions of images Globe photojournalists have taken over the past 100 years. It was not so long ago that crowds were an unusual sight in a mostly rural country, and the pictures reflect that excitement. There are pictures of cities going up (railway tunnels are bored, streetcar tracks are laid, buildings are erected) as that rural country becomes more connected and urban. There are happy pictures of diversions (agricultural fairs and hockey games and beauty contests and ballets, among others) and war pictures of pain and destruction and death. There are lots of cars, because cars have changed the way we live, then as now. (Traffic in Toronto doesn’t seem to have improved.) There are multiple pictures of car crashes from the 1920s to the 1960s because, along with fires, those were the most common free spectacles of their day. They were “proof” that life was increasingly mechanical and dangerous, and therefore moving beyond our control.

Review: Walking With Ghosts By Gabriel Byrne, Sorrowful And Funny

One woman was killed and three injured when two motor cars collided at one of Toronto’s most dangerous corners, Barton Street and Manning Avenue.

For the first 50 years covered by this collection, the vast majority of people in the pictures are white. And most of them are men. Black and Indigenous people show up rarely, and often as curiosities, as outliers to the status quo. But pictures from more recent decades tell a different story, about an undeniably diverse and changing country, and about the evolution of photojournalism. Most of the photographs in this collection, for instance, treat the world and the people in it as spectacle, as objectively observed phenomena removed from the photographer. But you will occasionally see more recent photographs, taken literally from the point of view of the participants – when the Raptors won the championship, when Canada’s women’s soccer team took Olympic gold – that challenge that separation, that interrogate (without rejecting it) the very idea and value of objectivity.

Marilyn Monroe And Her Husband, Playwright Arthur Miller #21818834 - Julia Body Arthur Miller S Crossing

This work, in other words, is evidence of our progress and our backsliding, a material record of social change. The photographs don’t moralize; they blame everyone and no one at once. They are often beautiful, in spite of their subjects: clean, sharp, filled with movement and light. But they are never only beautiful: their main goal, always, is to grab the attention of the reader and make a connection with them or her or him by depicting something that is happening in the now of that moment. Photographers have always traded in human attention, the most coveted commodity we have and now the scarcest. Their photographs are infused as a result with what philosopher Walter Benjamin once called “unprejudiced observation.” It’s a grabby kind of energy. No subject is beyond consideration: clothes, jobs, bodies, race, buildings, food, leaders, losers, crime, sport, the heat, the cold (winter is ubiquitous), vacations, vanity, the rich and famous (more often than the poor and destitute, alas), shopping, children, hope and despair, sorrow and glee. But whatever these photographs are about, whatever they are meant to connote and denote, they are first and foremost about looking. Newspaper photographers have always fed our deepest if slightly embarrassing hunger: to look at ourselves, to see who we were and who we have become, as a human community.

Mfa\\\\ma Catalogue By San Francisco Art Institute

In general, the men and women who tell stories through photographs are not the same people who tell the stories through words. The main exception to this rule has been the paper’s earliest China correspondents, after The Globe and

I think that “Julia” was/is overrated, though Zinnemann’s mastery is underrated. (He only made one more film after “Julia, ” “Five Days One Summer” (1982), which I have not seen.) BTW, it was a question about overrated writers that stimulated Mary McCarthy’s slam of Hellman. IMHO, the problems with “Julia” are in the source material, which was not known in 1977 and might not have been  known late had Hellmann not sued.

Zinnemann’s previous movie, “Day of the Jackal” was based on a novel based on a real assassination plot and is great fun.News photographs stop time. It’s their most profound accomplishment. They freeze a moment of the present so that the moment can be examined more closely in the future. An archive like this – a century, as of this month, of photographs taken by Globe and Mail staff photographers – thereby becomes a succession of stopped moments. If you string them together and look at them long enough, patterns start to emerge.

See 100 Years Of History, Captured By Globe And Mail Photographers - Julia Body Arthur Miller S Crossing

There are a lot of pictures of crowds in this selection, which has been culled from the millions of images Globe photojournalists have taken over the past 100 years. It was not so long ago that crowds were an unusual sight in a mostly rural country, and the pictures reflect that excitement. There are pictures of cities going up (railway tunnels are bored, streetcar tracks are laid, buildings are erected) as that rural country becomes more connected and urban. There are happy pictures of diversions (agricultural fairs and hockey games and beauty contests and ballets, among others) and war pictures of pain and destruction and death. There are lots of cars, because cars have changed the way we live, then as now. (Traffic in Toronto doesn’t seem to have improved.) There are multiple pictures of car crashes from the 1920s to the 1960s because, along with fires, those were the most common free spectacles of their day. They were “proof” that life was increasingly mechanical and dangerous, and therefore moving beyond our control.

Review: Walking With Ghosts By Gabriel Byrne, Sorrowful And Funny

One woman was killed and three injured when two motor cars collided at one of Toronto’s most dangerous corners, Barton Street and Manning Avenue.

For the first 50 years covered by this collection, the vast majority of people in the pictures are white. And most of them are men. Black and Indigenous people show up rarely, and often as curiosities, as outliers to the status quo. But pictures from more recent decades tell a different story, about an undeniably diverse and changing country, and about the evolution of photojournalism. Most of the photographs in this collection, for instance, treat the world and the people in it as spectacle, as objectively observed phenomena removed from the photographer. But you will occasionally see more recent photographs, taken literally from the point of view of the participants – when the Raptors won the championship, when Canada’s women’s soccer team took Olympic gold – that challenge that separation, that interrogate (without rejecting it) the very idea and value of objectivity.

Marilyn Monroe And Her Husband, Playwright Arthur Miller #21818834 - Julia Body Arthur Miller S Crossing

This work, in other words, is evidence of our progress and our backsliding, a material record of social change. The photographs don’t moralize; they blame everyone and no one at once. They are often beautiful, in spite of their subjects: clean, sharp, filled with movement and light. But they are never only beautiful: their main goal, always, is to grab the attention of the reader and make a connection with them or her or him by depicting something that is happening in the now of that moment. Photographers have always traded in human attention, the most coveted commodity we have and now the scarcest. Their photographs are infused as a result with what philosopher Walter Benjamin once called “unprejudiced observation.” It’s a grabby kind of energy. No subject is beyond consideration: clothes, jobs, bodies, race, buildings, food, leaders, losers, crime, sport, the heat, the cold (winter is ubiquitous), vacations, vanity, the rich and famous (more often than the poor and destitute, alas), shopping, children, hope and despair, sorrow and glee. But whatever these photographs are about, whatever they are meant to connote and denote, they are first and foremost about looking. Newspaper photographers have always fed our deepest if slightly embarrassing hunger: to look at ourselves, to see who we were and who we have become, as a human community.

Mfa\\\\ma Catalogue By San Francisco Art Institute

In general, the men and women who tell stories through photographs are not the same people who tell the stories through words. The main exception to this rule has been the paper’s earliest China correspondents, after The Globe and

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There is a variety of facilities which include 24 hour reception, a satellite TV lounge, reading lounge and Internet access (local fee). Dining options include a buffet restaurant.

All of the rooms are fully equipped with air conditioning, hairdryer, ceiling fan, safe deposit, telephone, mini fridge, and satellite television. Some services incur a local fee.

Please note: A new Accommodation Tax has recently been approved in Greece (mainland and Islands). This tax will be effective from 01/01/2018 and is for any stays booked before and after, and for stays that include this date. The taxation will be per room, per day and is payable directly to the accommodation at check in. This taxation is not included in any prices shown. Cost in Euros is as follows (subject to changes): Properties registered and licensed as Hotels: 1-2 Stars 0, 50€. 3 Stars 1, 50€, 4 Stars 3, 00€, 5 Stars 4, 00€. In registered Apartments, furnished rooms etc. The daily taxation will be per room (and not per person) on a daily basis as follows: 1-2 Keys 0, 25€. 3 Keys 0, 50€. 4 Keys 1, 00€.

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The Blue Star Hotel has a great location, within easy reach of the beach, lagoon, shops and restaurants, a popular hotel with many returning guests....

The Golden Sun Hotel is a modern popular hotel complex that is furnished to a high standard. The hotel offers an informal ambience and is ideal for couples and families requiring a quiet holiday with...

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Centrally located in the heart of Paphos the Kissos Hotel is the ideal property for families, couples and individuals that want to have everything within walking distance....

This first class beachside hotel offers quality service and facilities and its superb location makes this an ideal choice for those looking for a base to explore this beautiful area....

The Blue Star Hotel has a great location, within easy reach of the beach, lagoon, shops and restaurants, a popular hotel with many returning guests....

The Golden Sun Hotel is a modern popular hotel complex that is furnished to a high standard. The hotel offers an informal ambience and is ideal for couples and families requiring a quiet holiday with...

Hotel Avraki Kamari (santorini) 3* (greece)

Under new management, the San Anton Hotel and Apartments offer good value accommodation and a central location close to the beach and the lively resort of Bugibba....

Centrally located in the heart of Paphos the Kissos Hotel is the ideal property for families, couples and individuals that want to have everything within walking distance....

This first class beachside hotel offers quality service and facilities and its superb location makes this an ideal choice for those looking for a base to explore this beautiful area....

The Blue Star Hotel has a great location, within easy reach of the beach, lagoon, shops and restaurants, a popular hotel with many returning guests....

The Golden Sun Hotel is a modern popular hotel complex that is furnished to a high standard. The hotel offers an informal ambience and is ideal for couples and families requiring a quiet holiday with...

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Under new management, the San Anton Hotel and Apartments offer good value accommodation and a central location close to the beach and the lively resort of Bugibba....

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Trophic Activity Of A Naturally Occurring Truncated Isoform Of The P2x7 Receptor

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Cerebrovascular accident cva or stroke is a condition where the blood flow to the brain is impaired which can be caused by a blockage ischemic stroke or rupture of blood vessels hemorrhagic stroke resulting in cell death in some brain areas

A Single Genetic Locus Controls Both Expression Of Dpep1/chmp1a And Kidney Disease Development Via Ferroptosis

adam's body art brandon mbsr therapy

adam's body art brandon mbsr therapy

Effects of 24 Weeks of a Supervised Walk Training on Knee Muscle Strength and Quality of Life in Older Female Total Knee Arthroplasty: A Retrospective Cohort Study

The Use of Teach Back at Hospital Discharge to Support Self-Management of Prescribed Medication for Secondary Prevention after Stroke—Findings from A Feasibility Study

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Feature papers represent the most advanced research with significant potential for high impact in the field. A Feature Paper should be a substantial original Article that involves several techniques or approaches, provides an outlook for future research directions and describes possible research applications.

Editor’s Choice articles are based on recommendations by the scientific editors of journals from around the world. Editors select a small number of articles recently published in the journal that they believe will be particularly interesting to readers, or important in the respective research area. The aim is to provide a snapshot of some of the most exciting work published in the various research areas of the journal.

The HEADS: UP Development Study: Working with Key Stakeholders to Adapt a Mindfulness-Based Stress Reduction Course for People with Anxiety and Depression after Stroke

Mindfulness By Brandon Gaudiano

By Maggie Lawrence 1, * , Bridget Davis 1, Leyla De Amicis 2, Jo Booth 1, Sylvia Dickson 1, Nadine Dougall 3, Madeleine Grealy 4, Bhautesh Jani 5, Margaret Maxwell 6, Ben Parkinson 1, Matilde Pieri 1 and Stewart Mercer 7

Nursing, Midwifery and Allied Health Professions Research Unit (NMAHP-RU), Faculty of Health Sciences and Sport, University of Stirling, Stirling FK9 4LA, UK

Healthcare - Adam S Body Art Brandon Mbsr Therapy

Background: Following stroke, rates of mood disorder are and remain high at five years (anxiety 34.4%; depression 23%). Structured mindfulness-based stress reduction (MBSR) courses are effective in a range of health conditions, but stroke survivors find adherence challenging. We aimed to adapt a standard MBSR course specifically for people affected by stroke. Methods: We recruited stroke survivors and family members with symptoms of anxiety and/or depression to take part in a co-development study comprising two rounds of MBSR ‘taster’ sessions, followed by focus groups in which views were sought on the practices sampled. Data were collected in October 2017 and May 2018 and were analysed using framework analysis, informed adaptations to mindfulness materials and delivery. Results: Twenty-eight stroke survivors and seven family members participated. Nineteen (76%) stroke survivors had anxiety; 15 (60%) had depression. Five (71.4%) family members reported anxiety; n = 4 (57.1%) depression. Thirty participants attended the first round of taster sessions and focus groups; twenty (66%) the second and three (10%) were unable to attend either round. Framework analysis informed adaptations to course delivery, practices, and materials, ultimately resulting in a stroke-specific MBSR course, HEADS: UP (Helping Ease Anxiety and Depression after Stroke). Conclusions: HEADS: UP may provide a feasible, appropriate, and meaningful self-management intervention to help alleviate symptoms of mood disorder.

Social Science (2015)

Stroke is a leading cause of death and disability [1]. Globally, over 80 million people live with the effects of stroke and annually new events affect 13.7 million people [1]. One in four people aged over 25 years will have a stroke in their lifetime [2]. The potential effects are many and varied, and may include physical, cognitive, and communication impairment as well as psychological disorders of anxiety, depression and psychosocial stress, the last often being referred to as ‘invisible’ effects of stroke [3]. An additional feature of stroke is recurrence; in a UK population-based cohort study (n = 6052), estimated 12% (10%–15%) at 5 years [4]. It is estimated that up to 90% of stroke events are linked to lifestyle risk factors, including psychosocial factors (stress (home and work), life events, and depression), and could be preventable if people took action to reduce risk such as making changes to lifestyle factors including stress management [5].

At a systems level it is estimated that per patient month stroke services and care provision costs USD 4850 (USA), or AUD 752 (Australia) [6]. At the individual level psychosocial wellbeing can be significantly challenged, with individuals experiencing psychological disorders, distress, and social isolation, which individually or in combination may affect long-term functioning and quality of life [7]. Stroke impacts are felt across families, friends, and wider networks who may experience a sense of burden, emotional distress and disruption of family relationships [8, 9]. Stroke experiences are different for everyone, and recovery trajectories are variable [10]. Psychological consequences of stroke are considerable and often enduring. A large-scale meta-analysis (22, 262 participants; 34 countries) found post-stroke anxiety in 18.7% (95% CI, 12.5, 24.9) with clinical interview and 24.2% (95% CI, 21.5, 26.9) using a rating scale [11]. A 5-year post-stroke meta-analysis revealed depression in 23% (95% CI, 14%–31%) of cases [12]. A large cohort study [13] found anxiety at five years in 34.4% (95% CI, 30.8%–38.1%). Mood disorder negatively impacts rehabilitation outcomes, possibly due to reduced engagement levels [14, 15] and on proactive self-management of recovery and prevention of recurrence of stroke and other cardiovascular disorders [15, 16]. A recent systematic review identified that low mood/ and depression negatively affected motivation to be active, even though being physically active is known to improve mood [17]. In a stakeholder consultation project, stroke nurses identified management of mood as a research priority [18], and people affected by stroke and health professionals, identified long-term psychological consequences of stroke as an unmet need and called for long-term, family-centred, self-management interventions [19].

Creating Your Own Path With Arezu InspireZu By Curious Ones By Yandara - Adam S Body Art Brandon Mbsr Therapy

Mindfulness-based interventions (MBI) are structured mindfulness courses, developed from traditional Buddhist meditation [20]. The first mindfulness-based stress reduction (MBSR) course was developed in the 1980s [21]. Forty years on, MBSR is a widely used intervention delivered to groups in clinical and non-clinical settings. It has an established protocol [22] comprising an introductory session followed by eight weekly sessions (2.5–3.5 h; 7.5 h (day retreat) in week 6). Daily practice, sustained over time, is an essential element of course engagement. A considerable body of evidence demonstrates the effectiveness of MBSR, and more broadly, MBIs in the treatment of mood disorder (predominantly anxiety and depression) in diverse clinical populations, including in long-term conditions ((95% CI, 0.35, 0.17–0.53) [23], and in a range of settings from acute clinical settings to the wider community [24].

Annual Meeting Program

In relation to stroke, research evidence regarding psychosocial complex interventions is inconclusive and often based on methodologically weak studies [25]. Lawrence et al.’s review (2013) found only four studies, three of which were methodologically poor [26]. No statistically significant findings were reported; however, positive trends for psychosocial complex interventions were observed across a range of outcomes including anxiety and depression. Study attrition rates were high (23%–61%) and intervention adherence was poor, often due to common stroke-related issues including fatigue, cognitive problems, and travel difficulties—challenges reported in other studies (e.g., [17, 27]). While arguably, MBSR is not a self-management intervention per se, it does incorporate principles of self-management including self-efficacy [16]. The course facilitates learning new skills which, with practice, can lead to mastery of those skills that can be used by individuals to self-manage symptoms of mood disorder in the longer term.

Cognizant of the size and nature of the problem, the context of the increasing relevance of (supported) self-management of chronic conditions [28, 29], and substantial evidence highlighting the potential for MBSR to be an effective, appropriate, and meaningful intervention for people affected by stroke [30, 31], a programme of work, HEADS: UP (Helping Ease Anxiety and Depression after Stroke), was conceived. The overarching aim of the programme is to ascertain the effectiveness and appropriateness of HEADS: UP, a stroke-specific adaptation of a standard MBSR course. This paper reports the processes and outcomes of the development stage in which we aimed to adapt, or tailor, a standard MBSR course to enhance its appropriateness and meaningfulness for people affected by stroke.

From State To Trait Meditation: Reconfiguration Of Central Executive And Default Mode Networks - Adam S Body Art Brandon Mbsr Therapy

In this development work we drew on the Medical Research Council’s guidance for complex intervention design [32, 33]. Accordingly, in earlier preparatory work we had reviewed the stroke/MBSR evidence base [26] and identified conceptual and theoretical understandings which would inform aspects of the work, namely family systems theory [34], behaviour change theory [35, 36] and self-management [37, 38]. This preparatory work formed the underpinning to the empirical development study reported here. It should be noted that we use the term ‘adaptation’ to describe the work rather than ‘development’, as we were working to enhance the accessibility, acceptability, and meaningfulness of a pre-existing standardised intervention [39]. However, the work is dynamic, iterative, creative, open to change, and is forward looking to future evaluation and implementation, and as such meets development criteria described by O’Cathain and colleagues [33]. Protocol Registration: ClinicalTrials.gov Identifier NCT04985838.

Jagged Little Pill By Dpac

In this community-based study we aimed to adapt a standard MBSR course to enhance its appropriateness and meaningfulness for people affected by stroke. We

Stroke is a leading cause of death and disability [1]. Globally, over 80 million people live with the effects of stroke and annually new events affect 13.7 million people [1]. One in four people aged over 25 years will have a stroke in their lifetime [2]. The potential effects are many and varied, and may include physical, cognitive, and communication impairment as well as psychological disorders of anxiety, depression and psychosocial stress, the last often being referred to as ‘invisible’ effects of stroke [3]. An additional feature of stroke is recurrence; in a UK population-based cohort study (n = 6052), estimated 12% (10%–15%) at 5 years [4]. It is estimated that up to 90% of stroke events are linked to lifestyle risk factors, including psychosocial factors (stress (home and work), life events, and depression), and could be preventable if people took action to reduce risk such as making changes to lifestyle factors including stress management [5].

At a systems level it is estimated that per patient month stroke services and care provision costs USD 4850 (USA), or AUD 752 (Australia) [6]. At the individual level psychosocial wellbeing can be significantly challenged, with individuals experiencing psychological disorders, distress, and social isolation, which individually or in combination may affect long-term functioning and quality of life [7]. Stroke impacts are felt across families, friends, and wider networks who may experience a sense of burden, emotional distress and disruption of family relationships [8, 9]. Stroke experiences are different for everyone, and recovery trajectories are variable [10]. Psychological consequences of stroke are considerable and often enduring. A large-scale meta-analysis (22, 262 participants; 34 countries) found post-stroke anxiety in 18.7% (95% CI, 12.5, 24.9) with clinical interview and 24.2% (95% CI, 21.5, 26.9) using a rating scale [11]. A 5-year post-stroke meta-analysis revealed depression in 23% (95% CI, 14%–31%) of cases [12]. A large cohort study [13] found anxiety at five years in 34.4% (95% CI, 30.8%–38.1%). Mood disorder negatively impacts rehabilitation outcomes, possibly due to reduced engagement levels [14, 15] and on proactive self-management of recovery and prevention of recurrence of stroke and other cardiovascular disorders [15, 16]. A recent systematic review identified that low mood/ and depression negatively affected motivation to be active, even though being physically active is known to improve mood [17]. In a stakeholder consultation project, stroke nurses identified management of mood as a research priority [18], and people affected by stroke and health professionals, identified long-term psychological consequences of stroke as an unmet need and called for long-term, family-centred, self-management interventions [19].

Creating Your Own Path With Arezu InspireZu By Curious Ones By Yandara - Adam S Body Art Brandon Mbsr Therapy

Mindfulness-based interventions (MBI) are structured mindfulness courses, developed from traditional Buddhist meditation [20]. The first mindfulness-based stress reduction (MBSR) course was developed in the 1980s [21]. Forty years on, MBSR is a widely used intervention delivered to groups in clinical and non-clinical settings. It has an established protocol [22] comprising an introductory session followed by eight weekly sessions (2.5–3.5 h; 7.5 h (day retreat) in week 6). Daily practice, sustained over time, is an essential element of course engagement. A considerable body of evidence demonstrates the effectiveness of MBSR, and more broadly, MBIs in the treatment of mood disorder (predominantly anxiety and depression) in diverse clinical populations, including in long-term conditions ((95% CI, 0.35, 0.17–0.53) [23], and in a range of settings from acute clinical settings to the wider community [24].

Annual Meeting Program

In relation to stroke, research evidence regarding psychosocial complex interventions is inconclusive and often based on methodologically weak studies [25]. Lawrence et al.’s review (2013) found only four studies, three of which were methodologically poor [26]. No statistically significant findings were reported; however, positive trends for psychosocial complex interventions were observed across a range of outcomes including anxiety and depression. Study attrition rates were high (23%–61%) and intervention adherence was poor, often due to common stroke-related issues including fatigue, cognitive problems, and travel difficulties—challenges reported in other studies (e.g., [17, 27]). While arguably, MBSR is not a self-management intervention per se, it does incorporate principles of self-management including self-efficacy [16]. The course facilitates learning new skills which, with practice, can lead to mastery of those skills that can be used by individuals to self-manage symptoms of mood disorder in the longer term.

Cognizant of the size and nature of the problem, the context of the increasing relevance of (supported) self-management of chronic conditions [28, 29], and substantial evidence highlighting the potential for MBSR to be an effective, appropriate, and meaningful intervention for people affected by stroke [30, 31], a programme of work, HEADS: UP (Helping Ease Anxiety and Depression after Stroke), was conceived. The overarching aim of the programme is to ascertain the effectiveness and appropriateness of HEADS: UP, a stroke-specific adaptation of a standard MBSR course. This paper reports the processes and outcomes of the development stage in which we aimed to adapt, or tailor, a standard MBSR course to enhance its appropriateness and meaningfulness for people affected by stroke.

From State To Trait Meditation: Reconfiguration Of Central Executive And Default Mode Networks - Adam S Body Art Brandon Mbsr Therapy

In this development work we drew on the Medical Research Council’s guidance for complex intervention design [32, 33]. Accordingly, in earlier preparatory work we had reviewed the stroke/MBSR evidence base [26] and identified conceptual and theoretical understandings which would inform aspects of the work, namely family systems theory [34], behaviour change theory [35, 36] and self-management [37, 38]. This preparatory work formed the underpinning to the empirical development study reported here. It should be noted that we use the term ‘adaptation’ to describe the work rather than ‘development’, as we were working to enhance the accessibility, acceptability, and meaningfulness of a pre-existing standardised intervention [39]. However, the work is dynamic, iterative, creative, open to change, and is forward looking to future evaluation and implementation, and as such meets development criteria described by O’Cathain and colleagues [33]. Protocol Registration: ClinicalTrials.gov Identifier NCT04985838.

Jagged Little Pill By Dpac

In this community-based study we aimed to adapt a standard MBSR course to enhance its appropriateness and meaningfulness for people affected by stroke. We

body art insurance policystat kdhnews

body art insurance policystat kdhnews

1. Why Get Tattoo Shop Insurance and Tattoo Artist Insurance?2. Tattoo Liability Insurance2.1. General Liability Insurance for Tattooists2.2. Does Tattoo Artist and Tattoo Studio General Liability Insurance Cover Copyright Infringement?2.3. Professional Liability Insurance for Tattooists and Tattoo Shops2.4. Tattoo Public Liability Insurance3. Commercial Property Insurance for Tattoo Studios4. Commercial Auto Insurance for Mobile Tattoo Artists and Tattoo Studios5. Workers Compensation Insurance and Disability Insurance for Tattoo Artists6. Is There a Self-Employed Tattooist Insurance? 7. Tattoo Shop Insurance Cost 8. Best Tattoo Insurance Companies8.1. CoverWallet Tattoo Insurance 8.1.1. Why Get Insured by CoverWallet?8.1.2. Why Take CoverWallet with a Grain of Salt?8.2. Thimble Henna Tattoo Artist Insurance 8.2.1. Why Get Insured by Thimble?8.2.2. Why Take Thimble with a Grain of Salt?8.3. Allen Financial Group Tattoo Shop and Tattoo Artist Insurance 8.3.1. Why Get Insured by Allen Financial Group Insurance?8.3.2. Why Take Allen Financial Group Insurance with a Grain of Salt?9. Get the Right Protection, Compare Quotes 

Whenever you run a business where you have people come through your doors; For instance, when running a hair salon, microblading studio, beauty center, or tattoo studio - it’s a good idea to carry the right business insurance. If you have a solid policy from a reliable carrier, you won’t have to spend every day worrying about what might happen if a client files a lawsuit or when commercial property gets damaged.

Heights Tattoo Convention Draws Crowds Of Inked Attendees - Body Art Insurance Policystat Kdhnews

Whether you're a self-employed tattooist or a tattoo shop owner, it can be challenging to determine how much you can expect to pay and what are the policies to choose for your tattoo insurance. Here's a guide that will help.

Tattoos In Insurance: It's Time To Ditch The Cover Ups

Society has embraced the idea of having tattoos. And so, many make a living either by running their own tattoo studio or working as independent or employed tattoo artists. The Bureau of Labor Statistics estimates the median income of tattoo artists is $23.62 an hour or $49, 120 a year.

With that being said, tattoo services can be a stable and lucrative source of income right now. However, just like any other profession out there, it comes with risks. These risks are:

Tattoo liability insurance is the first kind of insurance that tattoo artists and tattoo shops need. There are several types. The most common ones included in tattoo artist insurance and tattoo shop insurance are:

Memorial Fund Set Up For Woman Killed In Killeen; Trust Fund For Child

General liability coverage in tattoo artist liability insurance functions to provide money if the tattoo artist or tattoo shop/studio is accused of causing injuries or property damage to the client.

There are a lot of hazardous equipment and substances used in tattoo service. Examples are inks, needles, razors, and tattoo machines. Spilled ink if not removed immediately from the floor can cause the guest to slip and fall or stain their belongings. Needles and razors can cause cuts and lacerations. Finally, tattoo machines have cords that, if not kept well, will cause the client to trip.

Personal injury and property damage lawsuits against tattoo artists and tattoo studios are not cheap. Court judgments can sometimes demand compensation for the aggrieved party’s losses that amount to hundreds or even millions of dollars. For this reason, getting general liability insurance is essential.

Heights Tattoo Convention Draws Crowds Of Inked Attendees

General Liability insurance for tattoo artists and tattoo studios will take care of property damage and personal injury claims from a client, vendor, visitor, or any other third parties. In practice, this type of tattoo parlor insurance will pay for attorney fees, other legal costs, and compensation if the claimant wins the legal battle.

Some insurance companies offer general liability insurance with rented premises liability coverage. This one is useful for tattoo studio owners or tattoo artists renting a commercial space. When fire damages the rented commercial space, rented premises liability coverage will reimburse the losses of the property owner on behalf of the policyholder

General liability coverage in tattoo artist or tattoo studio insurance provides protection against copyright infringement lawsuits. However, it can only do so if it comes with advertising injury coverage on its terms. Advertising injury coverage takes care of copyright infringement claims, slander claims, libel claims, and other forms of advertising or reputational harm.

Killeen Police Investigate Pedestrian Fatality

Tattoo artists and tattoo studios all follow health protocols to avoid causing permanent injuries to their clients. In the US, state and local health departments regulate and implement guidelines for proper tattoo practice. With that said, clients might file a claim if the tattoo or tattoo shop commits the following:

Professional negligence lawsuits are costly. Compensation to the victim starts at $10, 000 - $30, 000 for minor injuries. In case of severe infections that result in scarring of the skin and other permanent injuries, a tattoo shop or tattoo artist might have to pay $100, 000 - $500, 000 to the victim.

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Professional liability insurance in tattoo business insurance provides protection from any professional negligence lawsuit against a tattoo artist or tattoo shop. It provides $1 million up to $2 million so that the policyholder can pay for legal costs, attorney fees, and compensation for damages.

Nobody Can Tell Me S**t”: Overweight Fitness Influencer Looks Unrecognizable After Insane 5 Year Transformation

Professional liability insurance also covers incidents where the tattoo artist or tattoo shop is accused of not following the instructions of the client or giving the client an infected tattoo. Here are some examples:

Tattoo public liability insurance is a policy that offers protection against customers, vendors, and other third parties filing a personal injury claim or property damage claim. Yes, in a way, general liability insurance and public liability insurance are the same. But still, you need to know that:

To put it simply, the main difference between general liability insurance and public liability insurance is that the former is more comprehensive while the latter is very limited in its scope.

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Tattoo shops don't only have to worry about their liability to third parties. There are other perils to think about such as the destruction of stocks, business equipment, and other physical assets. And so, tailored tattoo shop insurance or tattoo studio insurance includes commercial property insurance.

There’s business equipment and tools coverage in commercial property insurance for tattoo studios. Business equipment and tools coverage’s function is to reimburse losses when tools and equipment used in tattoo service become lost or damaged due to theft, fire, vandalism, and other covered perils. Common tools and equipment covered are:

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Aside from equipment and tools, there are other valuables such as tattoo inks, tattoo needles and needle sterilizers, and sanitary kits. What covers this in case of damage or loss due to fire, theft, vandalism, and other covered perils is stocks and contents coverage - another inclusion in commercial property insurance.

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Some tattoo artists and studios don’t do business in a fixed commercial space but instead, take their services to the client’s personal space. And aside from liability insurance policies, they will also find commercial auto insurance useful.

A tattoo artist’s or tattoo studio’s commercial vehicle might cause an accident on the road. In connection, the function of auto liability coverage in commercial auto insurance is to cover the medical expenses of injured third parties. This will also reimburse the losses of individuals whose property incurred damage due to the accident.

Physical damage coverage has two forms - collision and comprehensive. Collision physical damage coverage will take care of parts repair or replacement if the commercial vehicle got damaged because it collided with an object or another vehicle while running. As for the second type - comprehensive physical damage coverage - it will take care of parts repair or replacement if fire, theft, vandalism, and other covered perils damaged the commercial vehicle.

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The resulting out-of-pocket expenses are very expensive when the commercial vehicle suddenly experiences issues on the road - dead battery, flat tire, running out of gas, etc. This is why commercial auto insurance for tattoo artists and tattoo shops includes emergency roadside assistance. Emergency roadside assistance will reimburse what was spent on gas delivery, tire delivery, tire repair, battery jump start service, and more.

The hands are the bread and butter of tattoo artists. Severe injuries to the hands will make it impossible for tattoo artists to work. While it’s not possible for tattoo artists to insure their hands only, it’s possible to get protection against injuries to the hand and other body parts through worker's compensation insurance.

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Tattoo artists can get worker's comp insurance for themselves so that they’ll have a policy that provides coverage for the treatment of hand injuries and lost income compensation.

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Tattoo shops can get worker's compensation insurance as soon as one or more individuals are hired. Failure to get workers compensation insurance is punishable by law.

With that said, if a tattoo artist's hands got injured during a car accident, then workers comp won’t provide coverage even if it’s active. And so, we recommend tattoo artists also get disability insurance for themselves as it will cover injuries that didn’t happen at work.

Yes, there is. Tattoo artists who run their own small studios, do tattoo sessions in their house, or at the house of the client can opt to get self-employed tattooist insurance. This has general liability coverage and professional liability coverage. For tattoo artists who go to their client’s address for tattoo sessions, self-employed tattooist insurance also offers commercial auto insurance as an additional option.

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There’s

body art alliance hanover md hours today schedule 2020

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Mark For: BAA BODY ART ALLIANCE™ trademark registration is intended to cover the categories of organization of events, exhibitions, fairs and shows for commercial, promotional and advertising purposes; providing consumer tattoo product information; providing consumer permanent makeup product information; providing consumer body piercing product information; providing consumer body modification product information; providing consumer cosmetic tattooing product information; providing a website featuring product reviews in the field of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing. [all]

Color is not claimed as a feature of the mark. The mark consists of a square, circle and triangle, respectively, within the stylized letters "baa" over the wording "BODY ART ALLIANCE".

A pending trademark application has been examined by the Office and has been published in a way that provides an opportunity for the public to oppose its registration.

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IC 035. US 100 101 102. G & S: Organization of events, exhibitions, fairs and shows for commercial, promotional and advertising purposes; providing consumer tattoo product information; providing consumer permanent makeup product information; providing consumer body piercing product information; providing consumer body modification product information; providing consumer cosmetic tattooing product information; providing a website featuring product reviews in the field of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

IC 041. US 100 101 107. G & S: Organizing exhibitions in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing for cultural or educational purposes; Arranging and conducting educational conferences in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Providing a website featuring blogs and non-downloadable publications in the nature of articles in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Entertainment services, namely, providing an online interactive website of photos and videos in the fields of tattoos, body piercing, body modification, and permanent make up; Providing instructional information relating to applying tattoos, body piercing, body modification, and permanent make up; Education services, namely, providing non-downloadable webinars in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing for cultural or educational purposes; Providing a web site featuring non-downloadable instructional videos in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

IC 044. US 100 101. G & S: Providing healthcare and skin maintenance information relating to tattoo and tattoo techniques; providing healthcare and skin maintenance information relating to permanent makeup and permanent makeup techniques; providing healthcare and skin maintenance information relating to body piercing techniques; providing healthcare and skin maintenance information relating to body modification techniques; providing health care and skin maintenance information relating to cosmetic tattooing techniques; Providing a website featuring healthcare and skin maintenance information relating to tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Providing a website featuring skin care and medical information relating to tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

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IC 035. US 100 101 102. G & S: Organization of events, exhibitions, fairs and shows for commercial, promotional and advertising purposes; providing consumer tattoo product information; providing consumer permanent makeup product information; providing consumer body piercing product information; providing consumer body modification product information; providing consumer cosmetic tattooing product information; providing a website featuring product reviews in the field of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

IC 041. US 100 101 107. G & S: Organizing exhibitions in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing for cultural or educational purposes; Arranging and conducting educational conferences in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Providing a website featuring blogs and non-downloadable publications in the nature of articles in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Entertainment services, namely, providing an online interactive website of photos and videos in the fields of tattoos, body piercing, body modification, and permanent make up; Providing instructional information relating to applying tattoos, body piercing, body modification, and permanent make up; Education services, namely, providing non-downloadable webinars in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing for cultural or educational purposes; Providing a web site featuring non-downloadable instructional videos in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

IC 044. US 100 101. G & S: Providing healthcare and skin maintenance information relating to tattoo and tattoo techniques; providing healthcare and skin maintenance information relating to permanent makeup and permanent makeup techniques; providing healthcare and skin maintenance information relating to body piercing techniques; providing healthcare and skin maintenance information relating to body modification techniques; providing health care and skin maintenance information relating to cosmetic tattooing techniques; Providing a website featuring healthcare and skin maintenance information relating to tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Providing a website featuring skin care and medical information relating to tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

Don't Close Your Eyes:' Madison Art Exhibit Calls Focus To Horrors Of War In Ukraine

IC 035. US 100 101 102. G & S: Organization of events, exhibitions, fairs and shows for commercial, promotional and advertising purposes; providing consumer tattoo product information; providing consumer permanent makeup product information; providing consumer body piercing product information; providing consumer body modification product information; providing consumer cosmetic tattooing product information; providing a website featuring product reviews in the field of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

IC 041. US 100 101 107. G & S: Organizing exhibitions in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing for cultural or educational purposes; Arranging and conducting educational conferences in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Providing a website featuring blogs and non-downloadable publications in the nature of articles in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Entertainment services, namely, providing an online interactive website of photos and videos in the fields of tattoos, body piercing, body modification, and permanent make up; Providing instructional information relating to applying tattoos, body piercing, body modification, and permanent make up; Education services, namely, providing non-downloadable webinars in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing for cultural or educational purposes; Providing a web site featuring non-downloadable instructional videos in the fields of tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

IC 044. US 100 101. G & S: Providing healthcare and skin maintenance information relating to tattoo and tattoo techniques; providing healthcare and skin maintenance information relating to permanent makeup and permanent makeup techniques; providing healthcare and skin maintenance information relating to body piercing techniques; providing healthcare and skin maintenance information relating to body modification techniques; providing health care and skin maintenance information relating to cosmetic tattooing techniques; Providing a website featuring healthcare and skin maintenance information relating to tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing; Providing a website featuring skin care and medical information relating to tattoos, body piercing, body modification, permanent make up, and cosmetic tattooing

Don't Close Your Eyes:' Madison Art Exhibit Calls Focus To Horrors Of War In Ukraine