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Brian Keith Thompson is the proprietor and Chief Piercing Officer of The World Famous Body Electric Tattoo, a Hollywood landmark situated on Melrose Avenue that stands as a Los Angeles institution and must-see destination for international travelers.Brian and Body Electric provide services to a long list of Hollywood A-listers, and have been featured on such television shows as2 Broke Girls, Vanderpump Rules, Kathy Griffin, Basketball Wives, Hollywood Exes, andChrisley Knows Best– to name a few.
A tattoo artistfor over 17 years, Mike is originally from Buffalo, NY and has been part of the Body Electric family for four years. A well-rounded artist who can attack just about every style of tattoo, Mike truly enjoys traditional, realism and eclectic imagery. In his spare time you can find Mike painting, designing costumes and props or dabbling in 3D printing.
Martin Kelly: Originally from Ireland, Martin has resided in Los Angeles for 13 years and began his apprenticeship at Body Electric three years ago. The ultra-cool artist specializes in a medley of styles from traditional and realistic to geometric and portraiture. When Martin is not beautifying his human canvases, you can find him experimenting with charcoal and wandering through the city’s most riveting art galleries.
By The Vicksburg Post
A 13-year veteran to the trade, BP began his career tattooing tourists at a shop on Hollywood Boulevard and joined forces with Body Electric four years ago. An LA native dedicated to traditional forms of art and Japanese style tattoos, BP spends most of his time honing his skill as an artist.
A professional tattoo artist for over 15 years, Mosco began his tattooingescapades in his hometown of Mexico City and relocated to the U.S. in 2006 where he’s collaborated with varied shops in Alabama, Seattle and Los Angeles. With an exceptional eye for detail and calm disposition, Mosco dedicates himself to tribal designs, intricate patterns and black and gray realism. When not at the shop, Mosco is drawing, painting or being a couch potato with a good horror flick.
Dom is a talented piercing apprentice / piercer. As Los Angeles native and avid juicer, Dom is nearing two years with Body Electric and has an immense passion for her work.When left to her own devices, you can find Dom designing underwear, playing the flamenco guitar and rollerblading her ass off. explores themes of the real and virtual, the organic and artificial, moving nimbly from the physical world to the screen and back again. Looking across the past 50 years, the exhibition presents works by an intergenerational and international group of artists who have seized upon the screen as a place to rethink the body and identity, with a particular emphasis on questions of gender, sexuality, class, and race.
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Video cameras record private moments and public spectacles, photographs capture alternate personas, and digital avatars simulate human behavior. Together, they reveal ways that technology changes our collective understanding of the body, everyday life, and sense of self. Works in the exhibition—from the inviting and familiar to the provocative and unsettling—question ways that photographic, televisual, and digital media affect our perceptions of the human body and everyday life.
The exhibition begins with a pioneering generation of artists active in the mid-1960s—Shigeko Kubota, Charlotte Moorman, Nam June Paik, and Wolf Vostell—for whom the television was both the subject and object of their expanded practices spanning performance, sculpture, and the moving image. Reimagined for the exhibition, a newly created installation by Joan Jonas conflates the physical world and its representation, while footage of performances by the Wooster Group offers a frenetic meditation on the all-pervasive presence of technology and the fusion of body and screen.
Works by Sanja Iveković, Howardena Pindell, Paul Mpagi Sepuya, Cindy Sherman, and Amalia Ulman chart a history of artists turning the lens of the camera onto their own bodies, creating personal spaces of performance, whether via the 1960s Portapak camera or today’s selfie. Disembodied beings and digital avatars populate contributions by Laurie Anderson, Ed Atkins, Pierre Huyghe, and Sidsel Meineche Hansen, while sculptures by Robert Gober and Anicka Yi as well as an immersive installation by Trisha Baga explore the slippery ambiguity of materials poised between the digital and analog, the real and rendered.
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For Lynn Hershman Leeson, Sondra Perry, and Martine Syms, the lens of the camera creates a space to rethink the representation of sociopolitical identities and to question the structures that govern our understanding of race and gender. The presentation concludes with works by Josh Kline, Carolyn Lazard, Candice Lin and Patrick Staff, and Marianna Simnett that reflect on the malleability of the body, speaking to themes of care, surgical intervention, and chemical and biological processes imperceptible to the human eye. The exhibition continues in the Main Lobby with Zach Blas’s Icosahedron (2019), an artificially intelligent crystal ball.
Artists in the exhibition: Laurie Anderson, Ed Atkins, Trisha Baga, Zach Blas, James Byrne, Peter Campus, Petra Cortright, Andrea Crespo, Zackary Drucker, Rhys Ernst, VALIE EXPORT, Simone Forti, Robert Gober, Aneta Grzeszykowska, Lynn Hershman Leeson, Pierre Huyghe, Juliana Huxtable, Sanja Iveković, Joan Jonas, Josh Kline, Shigeko Kubota, Carolyn Lazard, Candice Lin & Patrick Staff, Sidsel Meineche Hansen, Helen Marten, Charlotte Moorman, Paul Mpagi Sepuya, Bruce Nauman, Nam June Paik, LetÃcia Parente, Sondra Perry, Howardena Pindell, Ulrike Rosenbach, Cindy Sherman, Lorna Simpson, Marianna Simnett, Martine Syms, Ryan Trecartin, Amalia Ulman, Wolf Vostell, the Wooster Group, and Anicka Yi.
For Lynn Hershman Leeson, Sondra Perry, and Martine Syms, the lens of the camera creates a space to rethink the representation of sociopolitical identities and to question the structures that govern our understanding of race and gender. The presentation concludes with works by Josh Kline, Carolyn Lazard, Candice Lin and Patrick Staff, and Marianna Simnett that reflect on the malleability of the body, speaking to themes of care, surgical intervention, and chemical and biological processes imperceptible to the human eye. The exhibition continues in the Main Lobby with Zach Blas’s Icosahedron (2019), an artificially intelligent crystal ball.
Artists in the exhibition: Laurie Anderson, Ed Atkins, Trisha Baga, Zach Blas, James Byrne, Peter Campus, Petra Cortright, Andrea Crespo, Zackary Drucker, Rhys Ernst, VALIE EXPORT, Simone Forti, Robert Gober, Aneta Grzeszykowska, Lynn Hershman Leeson, Pierre Huyghe, Juliana Huxtable, Sanja Iveković, Joan Jonas, Josh Kline, Shigeko Kubota, Carolyn Lazard, Candice Lin & Patrick Staff, Sidsel Meineche Hansen, Helen Marten, Charlotte Moorman, Paul Mpagi Sepuya, Bruce Nauman, Nam June Paik, LetÃcia Parente, Sondra Perry, Howardena Pindell, Ulrike Rosenbach, Cindy Sherman, Lorna Simpson, Marianna Simnett, Martine Syms, Ryan Trecartin, Amalia Ulman, Wolf Vostell, the Wooster Group, and Anicka Yi.
